Its design is a combination of both Hindu and Muslim architectural styles, the arch is in Muslim style while the decorations are in Hindu style. The Gateway is built from yellow basalt and reinforced concrete. The stone was locally obtained, and the perforated screens were brought from Gwalior.
The central dome is 15 metres (49 ft) in diameter and is 26 metres (85 ft) above ground at its highest point. The whole harbour front was realigned in order to come in line with a planned esplanade which would sweep down to the centre of the town. The cost of the construction was Rs. 21 lakhs (2,100,000), borne mainly by the Government of India. For lack of funds, the approach road was never built, and so the Gateway stands at an angle to the road leading up to it.[1]
History
The Gateway of India was built to commemorate the visit of King George V and Queen Mary to Bombay
The last British troops to leave From here people can visit Elephanta Caves by ferry boats. There are luxury boats which takes visitors around the harbour for couple of hours. In front of Gateway of India, there is a statue of Chatrapati Shivaji Maharaj the independent Hindu kingdom of Maharashtra.
The Gateway of India was built to commemorate the visit of the King George V and Queen Mary to Mumbai in 1911 AD. The foundation stone was laid on 31st March 1911 AD. The splendid gateway was designed by George Wittet and his design was sanctioned in August 1911 AD. It is built in the Indo-saracenic style integrating local style of architecture also and adoptingfrom the Muslims of Gujarat. Between 1915 AD and 1919 AD, the work proceeded on reclamations at Apollo Pier for the land on which the gateway and the new sea wall would be built. The foundations were completed in 1920.
The gateway was built of yellow kharodi basalt and reiforced concrete. The cost of the construction of the gateway came to about Rupes 21,0000, which was given mainly by the government. The approach road was never built due to scarcity of funds and the gateway now stands at an angle to the road leading up to it. The whole seaport front was realigned so that it comes in line with designed promenade, which would sweep down to the middle of the town. The height of the central dome is 48 ft in diameter and rises 83 ft above the ground at its highest point. The has four turets and decorated with intricate lattice work carved into the yellow basalt stone.
The construction of the gateway was completed in 1924 AD and it was opened on December 4, 1924 AD by the Viceroy, Earl of Reading.
When the British rule ended in 1947, this colonial symbol also became a sort of a memorial. The last British troop that left India
Today this symbol of colonialism has got Indianised and draws a lot of local tourists and citizens. Behind the arch are the steps leading down to the water. The Gateway of India was starting point for the tourists who come to Mumbai. It is one of the finest example of colonial architectural heritage in India
'Bom Jesus' (literally, 'Good (or Holy) Jesus') is the name used for the infant Jesus. The Jesuit church is
Construction work on the church began in 1594 and was consecrated in May of 1605 by Archbishop, Dom Fr. Aleixo de Menezes. This world heritage monument has emerged as a landmark in the history of Christianity. It contains the body of St. Francis Xavier; a very close friend of
The body of Francis Xavier was first taken to Malacca and two years later shipped back to
This is one of the oldest churches in Goa and is carpeted with marble flooring and inlaid with precious stones. Apart from the elaborate gilded altars, the interior of the church is simple. The church also holds paintings with scenes taken from the life of St. Francis Xavier. The mausoleum on the top of which is placed the silver casket with the body of St. Francis Xavier (1696) was the gift of the last of the Medicis, Cosimo III, the Grand Duke of Tuscany.
The mausoleum was designed by the 17th century Florentine sculptor Giovanni Battista Foggini. It took ten years to complete. The casket containing his body is made of silver. The holy relics of the saint are displayed every ten years during the anniversary of the Saint's death. His liturgical feast is the third of December.
On the upper level, overlooking the tomb, is the Bom Jesus Basilica Art Gallery, containing the works of the Goan surrealist painter, Dom Martin.
Author and fellow Jesuit Anthony De Mello was also from
The Basilica of Bom Jesus church at Goa , India
Lotus Temple
The Bahá'í House of Worship in Delhi, India, popularly known as the Lotus Temple due to its flowerlike shape, is a Bahá'í House of Worship and also a prominent attraction in Delhi. It was completed in 1986 and serves as the Mother Temple
As with all other Bahá'í Houses of Worship, the Lotus Temple is open to all regardless of religion, or any other distinction, as emphasized in Bahá'í texts. The Bahá'í laws emphasize that the spirit of the House of Worship be that it is a gathering place where people of all religions may worship God without denominational restrictions.[2] The Bahá'í laws also stipulate that only the holy scriptures of the Bahá'í Faith and other religions can be read or chanted inside in any language; while readings and prayers can be set to music by choirs, no musical instruments can be played inside. Furthermore no sermons can be delivered, and there can be no ritualistic ceremonies practiced.[2]Structure
All Bahá'í Houses of Worship, including the The site is in the
Tourism
Since its inauguration to public worship in December 1986, the Bahá'í House of Worship in New Delhi has, as of late 2002, attracted more than 50 million visitors, making it one of the most visited buildings in the world. [9] Its numbers of visitors during those years surpassed those of the Eiffel Tower and the Taj Mahal. On Hindu holy days, it has drawn as many as 150,000 people; it welcomes four million visitors each year (about 13,000 every day or 9 every minute).This House of Worship is generally referred to as the "Lotus Temple
|
 Located in Kalkaji in the south of It is a very recent architectural marvel of the Bahai faith. The Bahá'í Faith is the youngest of the world's independent religions. Its founder, Bahá'u'lláh (1817-1892), is regarded by Bahá'ís as the most recent in the line of Messengers of God that stretches back beyond recorded time and that includes Abraham, Moses, Buddha, Zoroaster, Christ and Muhammad. The central theme of Bahá'u'lláh's message is that humanity is one single race and that the day has come for its unification in one global society. God, Bahá'u'lláh said, has set in motion historical forces that are breaking down traditional barriers of race, class, creed, and nation and that will, in time, give birth to a universal civilization. The principal challenge facing the peoples of the earth is to accept the fact of their oneness and to assist the processes of unification. THE GRAND STRUCTURE Fariborz Sahba, Canadian architect of Iranian origin, spent 10 years in designing and project management, and with the help of a team of about 800 engineers, technicians, artisans and workers brought to realization one of the most complicated constructions in the world. The structure of the House is composed of three ranks of nine petals; each springing from a podium elevating the building above the surrounding plain. The first two ranks curve inward, embracing the inner dome; the third layer curves outward to form canopies over the nine entrances. The petals, constructed of reinforced white concrete cast in place, are clad in white marble panels, performed to surface profiles and patterns related to the geometry. Nine arches that provide the main support for the superstructure ring the central hall. Nine reflecting pools surround the building on the outside, their form suggesting the green leaves of the lotus flower. Translating the geometry of the design, in which there are virtually no straight lines, into the actual structure presented particular challenges in designing and erecting the framework. Not only was it difficult to align, so as to produce accurately the complex double-curved surfaces and their intersections, but also the closeness of the petals severely restricted workspace. Nevertheless the task was carried out entirely by the local laborers. Thanks to each one who contributed in its construction. To avoid construction joints, petals were concreted in a continuous operation for approximately 48 hours. Concrete was carried up the staging by women bearing 50-pound loads in baskets balanced on their heads. All the steel reinforcing for the shells of the lotus petals was galvanized to avoid rust stains on the white concrete in the prevailing humid conditions, guaranteeing the life of the delicate shell structure of 6 to 18 cm thick shells of the petals. The lotus represents the Manifestation of God, and is also a symbol of purity and tenderness. Its significance is deeply rooted in the minds and hearts of the Indians. In the epic poem Mahabharata, the Creator Brahma is described as having sprung from the lotus that grew out of Lord Vishnu's navel when that deity lay absorbed in meditation, There is a deep and universal reverence for the lotus, which is regarded as a sacred flower associated with worship throughout many centuries. In Buddhist folklore the Boddhisatva Avalokiteswara is represented as born from a lotus, and is usually depicted as standing or sitting on a lotus pedestal and holding a lotus bloom in his hand. Buddhists glorify him in their prayers, "Om Mani Padme Hum", "Yea, 0 Jewel in the Lotus!" Lord Buddha says you have to be like a lotus which, although living in dirty water, still remains beautiful and undefiled by its surroundings. So, we realise that the lotus is associated with worship, and has been a part of the life and thoughts of Indians through the ages. It will seem to them as though they have been worshipping in this As foretold by the Báb, the Promised One of all ages and peoples, Bahá’u’lláh (literally the Glory of God) revealed Himself in 1863. He, Himself, dispatched one of the distinguished Bahá'í teachers, Jamal Effendi, to teach the Cause of God in the years 1874-75. Jamal Effendi (left) traveled to many States and was successful in attracting many learned people and few Navaabs (ruler of the states) including the Navaab of Rampur State (now in U.P.) to the Faith. One young man who accepted was Syed Mustafa Roumi who later became distinguished in his manifold services and was appointed as a Hand of the Cause of God. Some of them accepted Bahá’u’lláh as the Universal Manifestation of God whose advent has been prophesied in all the Holy Scriptures. The other teachers who came to |
No comments:
Post a Comment